Feeding Purple Martins During Inclement Weather

In late March 2011, I was staring out my window watching the falling rain and sleet and the thermometer that was falling even faster.  I was also keeping watch on my eight purple martins that had arrived 10 days earlier than in years past and wondered how I would ever get them through the bad weather that was predicted for the next 8 days. There would certainly be no flying insects available on which they could feed in that cold, wet weather.  I had read the stories on the PMCA forum about how people had trained their martins to accept supplemental feeding of crickets and eggs but I was torn over the whole “nature taking its course” and praying, or helping them.

As I watched their wings droop further, it suddenly became very clear for me; either make the effort and try to feed them or grab a bucket and pick up the dead ones in a few days.  There was absolutely no way I was going to be able to do the latter.  So I grabbed a handful of plastic picnic spoons, a plate of crickets, gathered up my determination and stood in the middle of my colony with mud up to my ankles and sleet in my face and flipped over 40 crickets to my sad-looking martins.  Suddenly, the magic happened and I have never again had to worry about having to pick up buckets full of dead martins in my yard when Mother Nature plays a cruel trick on our migrating martins.

If you’re interested in providing supplemental feeding yourself, here are some pointers how to train your martins, based on my experiences as well as from the other experienced landlords that worked with me and encouraged me along the way.

First, be prepared.  A lot of us know about when our martins will arrive and what the average weather is like during those months.  My first arrivals come during March, so by February, I know that I should have approximately 5000 crickets in my freezer (I order from ReptileFood.com).  An adult martin can eat 40-50 large (1”) crickets a day, so base your cricket supply on that estimate times the number of days of expected bad weather.  I usually have a box or two of the cheap, plastic picnic spoons in my pantry as well.  When the weather drops below 45-50 degrees, or there is constant rain then there are no flying insects on which the martins can feed.  You’ll know they are stressed by observing their physical appearance.  Usually they are fluffed out and have very droopy wings.

During the first day or two of bad weather, they may not take the food, but by the third day, it’s time to start flipping.  Try to pick the warmest time of the day and the least windy.  Position yourself so that you can flip the crickets up high and in front of your martins.  Do not flip the crickets directly *at* the birds as that will cause them to fly away from you.  I only flipped one cricket at a time as this was their first introduction to crickets and I didn’t want to waste any until I saw the first one take one.  I only had to flip 40 to get them started, but I have heard other landlords have had to flip over 100 to get the ball rolling.

I also called out a word (much like training your dog) every time I flipped a cricket.  You’ll know why later.  After the first martin went after a cricket and returned to her perch, the others slowly started joining her and swirling around in the rain as I flipped over 200 crickets to them.  It takes a lot of energy that they can’t afford to waste at these critical times, to fly & catch a cricket.  So my next goal was to move them to “tray feeding” so they wouldn’t waste their limited energy.  Tray feeding is a different way of feeding for a purple martin as they usually catch their food on the fly.  As they all slowly circled, grabbing flipped crickets, I started flipping the crickets up on my rooftop.  Some would finally land and grab the food that fell there.  Some of it bounced down onto a tray just below the edge of my roof and they all started landing there and eating the food that bounced off my makeshift ‘tray’.  I also added scrambled eggs in with the offerings (crickets can get expensive when you’re trying to feed 20-40 birds).  I first had to flip the egg pieces in the air to get them used to accepting egg, then I could add it to the tray where they could eat it later.

A female approaches my “tray” full of crickets and adult male martins.

Figure 1- My feeding “tray” loaded with crickets on my deck.

During subsequent feedings, I would prepare the eggs and crickets and call the martins out of their housing to the feeder, using my special word that I had used during training.  It worked every time.

This season we once again started another 8 days of bad weather at the end of March.  The first day the weather snapped down cold, a male martin flew right up to me, squawking at me.  I knew that he was one that remembered the drill from 2 years ago.  I fed over 6000 crickets and 5 dozen eggs over the course of those 8 days to 22 martins.  I did end up losing 4 of them, but I could never be sure if those 4 were “mine” or were migrants, or they simply died of old age.  But I ended up pulling the rest of my martins through those cold, long, miserable days and I can’t tell you how happy I am about that.

If you have never tried to feed your birds, I encourage you to try it.  My best advice is to be persistent and keep trying.  You already know what is the worst that can happen, so you can’t lose anything by trying.  My martins bring me great joy every year.  I figure providing them with food during desperate times is the least I can do to repay them.

 

March 2013 – 2nd day of snow – migrants and residents huddled on the porches trying to stay warm.  Notice the martins on the porch with drooping wings

 My Friend, Tony from Olpe, KS feeding his purple martins – more up close & personal.  🙂

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Enjoying Nature: It’s Springtime — Almost!

Flowers6We thought that spring had finally come.  The flowers were blooming, the air was warm. The birds were chirping and the small leaflets were starting to bud on the trees.

The blossoms of every flower seemed to reach out and open toward the sky, begging for sunlight.

Flowers2

 Cultivated flowers and wild flowers alike rejoiced in the warmth.

Flowers3 (2)

Even the lowly dandelion was happy.

Flowers3

But then everything changed. Suddenly the sun was obscured by clouds and the wind picked up. Even the lowliest flowers could feel it. (BloomWindDandelion)

The tiniest flowers of all trembled in the wind.

Soon there was rain coming down from the sky and after that the world turned cold.

Maybe spring has begun, but it’s still a work in progress.

 

Copyright 2013 Aya Katz

Products for Spring Gardening

   

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SEO for Your Book Title

There was a time when I very innocently believed that the best title would be a title that no one would ever have thought of prior to reading my book. But today with the internet and search engines dominating the market, that does not seem to be the case.

Look and see what Google dredged up when I tried to use Vacuum County, the title of one of my novels, as a search term!

Since then, I have become a little more savvy in choosing titles. Here is a video that explains my thinking on this topic.

My latest book, Theodosia and the Pirates, is beginning to dominate the search phrase “Theodosia and the Pirates”. For instance, this morning’s search on DuckDuckGo, put my book above the Wikipedia article about Theodosia Burr Alston, the historical person who is the subject of my book.

DuckDuckGo

I like to use DuckDuckGo rather than Google, because Google tries to find out who you are and then gear its search results to what you are interested in. But when we are trying to gauge the effectiveness of our search engine optimization strategy, we don’t want to see results geared specifically toward us. Instead, we want to see what the average person would see. DuckDuckGo does not care who is searching, so their results are pretty objective.

But the problem is, not everybody has discovered DuckDuckGo as a search engine. So sometimes it helps to open an “incognito” window on your Chrome browser and get a more objective reading from Google. Here is what I found on Google while going incognito this morning.

GoogleTheodosia

The Google results are pretty good, too. My old book trailer ranks highest, followed by the Amazon listing for the paperback, followed by the Kindle edition, followed by the Wikipedia entry on the real Theodosia. And even better: after the Wikipedia entry comes my blog post from the CS blog.

Of course, ranking for a particular long tail keyword will not in and of itself guarantee you sales, particularly if no one is searching for that keyword. But it is definitely a start.

For more book marketing tips, please consider the following articles.

Articles about How to Market Your Book

http://www.inverteda.com/blog/what-you-can-do-help-market-your-book

https://www.createspace.com/en/community/people/AyaKatz/blog/2013/04/04/the-talk-at-the-texas-county-museum-of-art-and-history

https://www.createspace.com/en/community/people/AyaKatz/blog/2013/03/08/genre-is-about-readers-not-books

http://aya-katz.hubpages.com/hub/Searching-for-a-Better-Search-Engine

Books by Aya Katz

     

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Marketing Tips for Authors with A Small Press: How to Market Your Book

Inverted-ALogoCongratulations! A small press has agreed to publish your book. You may have started out with Writer’s Market, and you may have gone to all the big name publishers first, and they may have turned you down without ever asking to read a sample of your book. But reluctantly you turned to lesser known presses, and finally one has accepted you.

The process of typesetting and proofing is over. You are happy with the cover. The book looks great. And then when it is published, nothing happens. No review in The New York Times Book Review section, no mention anywhere that you can see. Nobody buys your book, and it’s almost as if it had never been published at all.

Some new authors get disillusioned with the small press that published them, and they start to regret their choice. They wonder if they should have waited indefinitely for a big named press, or alternatively, whether they should have published the book themselves.

Here is what a small press does for you:

1) Typesets your book.

2) Creates a cover.

3) Gives you an ISBN number that identifies your book as belonging with the other books published by that press.

4) In some cases, a small press will also create a book trailer for you. (Inverted-A Press does that.)

5. Circulates your book among small press reviewers and online reviewers.

If you can do all that yourself, then perhaps you do not need the services of a small press after all. But the time to decide that is before you sign the contract. After you sign with a small press, and after they have put in all that work to publish your book, then you are partnered for life, and the more things that you can do to help publicize and sell your own book, the better.

In the next few sections, I will share with you a few tips about marketing your book, some of which apply before publication, and some of which work very well after.

1Choosing the Title of Your Book with SEO in Mind

If you have a non-fiction title, search engine optimization of that title is easy. Just describe your subject matter briefly. If you are writing about finite math, then Finite Math makes a great title. If you are writing about how to potty train your child, then How to Potty Train is a wonderful, self-explanatory title. If you want to teach the reader how to declutter the house, then How to Declutter just might work in attracting readers straight from Google who want to buy your book.

Fiction titles are harder. Watch the video I’ve embedded below, and then I will summarize the lessons for you in linguistic terms.

To make a title search engine friendly:

1. Avoid opaque collocations whose meaning only becomes clear after one has read the book. (Example: Vacuum County.)

2. Use proper nouns, as what they refer to is more fixed. (Examples: Kaifeng, Theodosia.)

3. Use general terms that describe the actual subject of your book. (Example: Pirates.)

4. Use phrases that bring to mind exactly what your book is about to those people who know about your subject. Example: (Theodosia and the Pirates.)

2. Three Tips About Publicizing Your Book.

A big name publisher has an advertising budget and may also send you on a national book tour at its expense. A small press cannot do that. You, personally, also may not be able to afford to do that. But there are some things that you can do for your book yourself that will not cost you anything.

Watch the video, and then I will summarize it.

In order to help your small press to publicize your book:

1) Keep a blog in which you mention your book often. The blog can be related to the subject matter of your book, or it can be autobiographical.

2) Make local appearances. Arrange a book signing at the the local bookstore. Give a talk at the library or in a meeting of a civic organization.

3) Make appearances long distance via Skype. Identify groups who are interested in the subject matter of your book and get them to invite to give a live talk with a Q & A session through a Skype appearance.

3. Get Your Book Reviewed

Watch the video embedded below, and then I will summarize it for you.

To summarize:

I. Get some reviews!


Getting some actual reviews means being realistic and not aiming for the moon.

II. Get reviews from people who write reviews.

Your reviewers should be people who are already in the habit of reviewing books. Find them on blogs through search and on Amazon through their own reviews of other books.

III Get reviews from highly ranked reviewers.

Since the more people read the review of your book, the better it will be for you, you must find highly ranked reviewers. But, conversely, since readers help to determine rank, once you do have a review, help out the reviewer by asking people to read and rank that review.

4. Conclusion

If you have been published by a small press, that partnership is for life. Unless your book goes out of print, the contract between you and your small press is valid forever. Unlike traditional presses, most small presses using print on demand technology will never allow a title to go out of print. Keeping that in mind, the best thing to do is to join forces with your small press and help it to sell books. And it does not cost a fortune to do that.

All it takes is work and thought and determination!

Books by Aya Katz

   

Other Inverted-A Press Titles

   

 

Related Articles

The Talk at the Texas County Museum of Art and History

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Can You Forgive? Another song from The Debt Collector

“Can You Forgive” is a very important song that appears in the third act of The Debt Collector, a libertarian musical composed by Daniel Carter and written by me.

Victoria Trestrail, playing the role of Lottie Lark with great effect, sings the song in the demo below. Lottie is apologizing to her landlady, Mrs. Hauser.

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The second time “Can You Forgive” is taken up, it is when Blood realizes he has wronged Lottie by taking her children. So after experiencing what it was like to ask for forgiveness, Lottie soon receives a heartfelt apology from the Debt Collector himself. Kelly Clear gives a grand performance as a penitent Blood.

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Apologizing does not come naturally to everyone, even when they do realize that they have been wrong. Siren, the social worker, requires some coaching before she catches on.

But even with coaching, Siren is not a quick study.

Eventually, though, Siren finds it in her heart to apologize to Blood. Erin Royall Carlson plays Siren as she sings this tender mea culpa.

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Even though this song is called “Can You Forgive”, it is not about how to forgive. It is about how to apologize. The reason the words are “can you forgive” is because forgiveness is not something to be taken for granted or demanded. Sometimes people can’t forgive, and the person who apologizes needs to accept this. An apology does not give you some kind of automatic right to forgiveness.

So often today, when one person owes another an apology, there is this assumption that if only a formal apology were to issue, then forgiveness is a foregone conclusion. But true forgiveness is a spontaneous reflex that comes of its own — we can’t feel true forgiveness unless the situation is right. One of the prerequisites to a genuine, spontaneous impulse of forgiveness is a genuine, spontaneous display of contrition. And sometimes even that is not enough. And that’s okay.

People often apologize for the wrong reasons. Somebody may be giving them a hard time, and the apology is seen as a way to appease that person. Or they want something, and the apology is their way to get what they want.

By the same token, many displays of forgiveness are also fake. People have been told that anger is bad for their health. They are afraid of getting cancer. They don’t want to be bad people. Many religions even put pressure on believers to forgive when the other person has not repented. So people pretend to forgive, because they are ashamed or afraid to admit that they cannot.

In the many verses of “Can You Forgive”, different characters in the play, at different points in the action, suddenly come to spontaneously apologize, once they realize how wrong they have been. They do not apologize in order to get something. They do not apologize in order to make an impression on someone else. They apologize because they realize that they have been wrong, and they need to get this off their chest.

Only Siren, the social worker, does not know how to apologize. She keeps making excuses instead. So Carl Lark, the welfare father, teachers her how to apologize.

Apologizing is a very ancient practice. It predates humans and human language. Chimpanzees apologize, too.

A chimpanzee apology consists of two parts:

1) I’m sorry I hurt you

2) Please forgive me.

A human apology, because there are so many misunderstandings among humans, and because the way we hurt each other can be so complicated, is often somewhat more complex. Here is what it consists of in The Debt Collector:

1) I now realize that I hurt you and I was wrong.

2) Here is a description of what I did and how it hurt you.

3) I am sorry and ashamed that I behaved this badly.

4) I really wish you could forgive me.

5) However, you don’t have to forgive me. You owe me nothing.

The last part, about not owing anyone forgiveness, would have gone without saying before certain religions and certain social  and psychological theories shifted things around and made the victims of every wrongful act feel guilty for resenting what was done to them. One of the aims of The Debt Collector is to undo that trend.

 

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Prevent Breast Cancer by Wearing a Wire Free Bra

Not only are wire free bras known as healthier and more comfortable, but also bras with wire are especially thought to be linked to, if not a cause of breast cancer. Some people say bras have nothing to do with breast cancer. While there are many possibilities for the cause of cancer, it could be possible that one is bras that are too tight, or bras with wires. The tightness of bras, the temperature of the breasts, and the wiring inside wire bras are all thought to contribute to causing cancer.

Hanes Comfort Support Wire Free Bra White SHanes Comfort Support Wire Free Bra White S

Tightness of Bras

Bras that are too tight are known to help cancer grow. The tightness prevents the body from letting out dangerous toxins that cause cancer. Many women tend to wear the wrong bra size (according to the bra industry). Wiring in bras or just tight bras alone keep the lymph from flowing in the breasts. There are many lymph pathways and lymph nodes (organs that filter or trap foreign particles/help the immune system function properly) under and in between the breasts. The lymph fluid washes waste materials and other toxins out, away from the breasts, while many bras don’t allow that action. Then, toxins can start gathering in the breast and cause cancer to develop. Bras that are too tight do not allow the body to clean itself normally, to get rid of cancer cells and toxins that tend to cling to fatty tissues such as the breast.
Bali Women’s Bali Comfort Revolution Wire Free,Nude,40DBali Women’s Bali Comfort Revolution Wire Free,Nude,40D

Temperature of Breasts

Wearing bras, especially wire bras, due to the fact they tend to be tighter and stronger to hold up the breasts, can be connected to cancer by causing higher temperatures in breast tissue as well as higher levels of the hormone called prolactin. Both of those can cause cancer to form. So, to keep the temperatures of the breasts lower, wire free bras are definitely the better choice. They are specially created to keep moisture and sweat away which in turn keeps temperatures lower. Also, there is more of a choice of finding a material that will not close off, being too tight, in wire free bras. Finally, wire free bras are available in different quality fabrics that are considered above average. Therefore, they are a lot more expandable and elastic, giving your breasts more air and room than being squished and bundled up. They are designed to let women do intense, up-beat sports and better able to move freely, able to totally concentrate on their games and not worry about wiring to get in the way.

Lily of France Women’s Light Lift Wire Free Bra, Cornflower Blue, 34BLily of France Women’s Light Lift Wire Free Bra, Cornflower Blue, 34B

Wiring in bras with wires

Finally, places often offer wire free bras with double-layered support, rather than using wire bras if there is a need of more support. Wire bras come to a point where they are uncomfortable or that eventually the wire gets messed up or wears down. Those are all linked to problems that can cause breast cancer. To be on the safe side, stick with wire free bras and discover the benefits of wire free bras. For example, to help keep the flow between your breasts, you may want to choose to wire free bras that fasten in the front.

 

 

 

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Buy Reach Gentle Gum Care Woven Dental Floss Online

Sometimes we become accustomed to finding a personal hygiene product at our local drugstore or grocery store. Then one day it disappears. Did they stop making it, we wonder? Or has this particular store just stopped carrying it for some reason? We wait, we ask around, and finally we realize that even though the manufacturer still makes the product, all the local retailers have stopped carrying it.

What do we do then? We go and look for that product online.  That’s what happened to me and to thousands of other shoppers with regard to the Johnson & Johnson Reach Gentle Gum Care Dental Floss. Once readily available and recommended to us by our dentists, it has become a hard-to-find item.

    

Don’t feel bad if this has happened to you. Not everyone who uses the woven dental floss made by Johnson & Johnson called Reach and labeled “Gentle Gum Care” has bad gums. Some use it for many other reasons. Here is what one Amazon customer has to say:

I went to replenish my stash of the woven floss, and I couldn’t find it anywhere in stores or online. I waited a few weeks and tried again, and still nothing. I panicked and called J&J, and they assured me the product hasn’t been discontinued. Whew! There was some sort of production disruption a few months ago, and it’s still not back in production. They claim they should be shipping soon, but don’t have a date. They’d better ship soon – I only have one package left. I am a twice a day flosser, and would be miserable if I couldn’t get this any more. It’s the best. You’d think that a woven floss would just be for people with space between their teeth, but this is the best floss for tightly packed teeth. ALL other flosses shred or get stuck between my teeth (unwaxed, waxed, Glide, Ultraclean, etc – I’ve tried them all). I wouldn’t have picked up this one on my own, since my gums are in great shape, but my dentist recommended it for my super-tight teeth, and I’m amazed at how pleasant it is to use. I’ve been using it for years, and can’t wait to buy it again.

We all deserve to have the very best products available to help maintain our health and personal hygiene. It does not matter whether the local store carries them or not. Thankfully the woven floss manufactured by Johnson & Johnson under the Reach trademark and sold for Gentle Gum Care is still available and all is right with the world!

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What Makes a Welfare Mother: Another Song from The Debt Collector

The Debt Collector is a libertarian musical set in the 1980s about a family named the Larks, their landlady, Mrs. Hauser, their social worker, Siren, and, in the title role, Blood, the debt collector hired by the landlady.

In the song “What Makes a Welfare Mother”, Lottie Lark, the mother of the family, laments her situation. She is both angry at how she is being treated and anxious about what might happen next.  Victoria Trestrail’s warm, expressive voice is just right for this part. Listen to her sing, and then we’ll talk.

Composed by Daniel Carter and written by me, “What Makes a Welfare Mother” conveys Lottie’s anguish at being caught in the welfare trap. Welfare does not liberate her to do what she wants. Instead, it enslaves her to the state and makes her and her children subject to supervision, intervention and separation. In the end, it endangers the life of one of her children at the hands of a state worker.

This song appears in the third act of the play, when all the characters are a little bit more mellow, have stopped complaining about each other and are beginning to realize that if they don’t start to treat each other better, they will not be able to survive against the backdrop of a state that pits one person against another.

I look forward to hearing the next song in this series sung. It is called “Can You Forgive”, and it is about reconciliations.

Related Articles

https://www.pubwages.com/44/two-songs-from-the-debt-collector-by-daniel-carter-and-aya-katz-peformed-by-jill-dabney

https://www.pubwages.com/01/law-abiding-people-a-song-from-the-debt-collector

http://www.thisisfreelance.com/articles/a-song-from-the-debt-collector-law-abiding-people/

http://freelancewriternetwork.com/writing/i-love-everyone-from-the-debt-collector-are-people-who-love-everyone-greedy/

 

    

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Two Songs from the Debt Collector by Daniel Carter and Aya Katz Peformed by Jill Dabney

Writing a musical is easy. Getting somebody to perform it is hard. When it comes to the music itself, very few people can even read it.  (Confession: I can’t either.) Daniel Carter wrote some beautiful music for my lyrics, but even the best of  vocalists do not know how to sing the songs, because they cannot follow the sheet music to find out how it goes.

That’s where  Jill Dabney, a professional musician and music teacher, has come in to help us. She can read the music and sing the songs, but not all the songs are for women and not all the songs are for adults, and not every song is meant to be sung in Jill’s key. So what we are going to do is use Jill as a teacher — which is what she is — and she will teach us how to sing the songs. And then the people who are right for each of the parts can volunteer to play those parts. At any event, this is what we plan to do.

In this pub, Jill will help to introduce two of the songs from our play, The Debt Collector. One is meant to be sung by a woman, another by a man. The first song is called “God Help the Lonely Landlord.” It is sung by a character in  The Debt Collector who is named Helga Hauser.

To get us in the mood for the song, first let’s look at the page in the script where that song occurs:

copyright 2012 Aya Katz

Now, also to get us ready, let us first listen to Jill playing the musical accompaniment to this song. The musical accompaniment, by the way, carries only the merest hint of the melody to the vocals. You cannot learn the vocal melody just by listening to the accompaniment.

Now, we are ready for the vocals. But before you listen to Jill sing them, you might want to study the lyrics:

God help the lonely landlord
Who gives the poor a home
They judge me by their standards
But I am all alone.
It’s true that I’m an owner 
But just what do I own?
When the rent is due
They owe me, but I still pay the loan.
You see, there is a mortgage,
And taxes are assessed.
And the tenants are so horrid.
When they leave,
Who cleans the mess?
But who am I to judge them
And what they choose to do
To live beyond their budget, when the rich all do it, too!

And now here’s Jill:

Now the next song, which is really a continuation of this one, and not a whole different song, is meant to be sung by Carl Lark, the tenant. In order to understand the context of the song, I include the page from The Debt Collector where the song “Don’t Dare to Judge Another” appears:

Copyright 2012 Aya Katz

 

Now let’s listen to Jill Dabney playing the accompaniment to “Don’t Dare to  Judge Another”:

The words to “Don’t Dare to Judge Another” are:

Don’t dare to judge another
Until you’ve tried his shoes
A landlord or a mother
Or a loan shark all pay dues.
Until you have reflected,
Please try to show respect,
‘Cause even debt collectors
Are bound to have regrets.

Now let’s listen to Jill singing the song:

If you would like to give a theatrical style performance of one of these songs, you may use Jill’s accompaniment to sing the song with your own voice. Then send me an mp3 or mp4 file of what you have done. I could be featuring you in our next pub about The Debt Collector.

Copyright 2012 Aya Katz

All rights reserved.

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The World War II Theme in Inverted-A Press Books

Two of our authors at Inverted-A Press are World War II veterans: John Wheatcroft, the author The Portrait of a Lover and Jesse Bier, the author of Transatlantic Lives. 

John Wheatcroft speaks about his experiences during the war:

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In his novel Transatlantic Lives,  Jesse Bier, who was himself awarded the purple heart, had this say:

Here’s treacherous truth, at least for men, the way
it’s always been—immemorial, probably genetic, dire—
rev’d up, insurmountable—over-coming pain, obviating
death—more shameful and unaccountable than the fear of
either or both—irresistible in its fits and starts—that war
is, in between the boring parts, Exciting. “Come and get
me!” in this instant is so confident and defiant, that you
know nobody will, that you know in this moment of
transcendent thrill you’ll last—you’ve already lasted—
forever.
Ed Nordstrom received the Purple Heart, just one,
not thirteen, but no Bronze Star for wounded bleeding
durable valor.
“Hell,” he said later, “no one, or everyone, there
should have had that, shot or not. And so what, anyway? To
stick it on a shelf somewhere? It’s only recognition, and it’s
enough I recognize myself.”

Those of us who were not there can only imagine. But sometimes it helps to read the words of someone who was there, to try to understand.

        

 

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